arpad: (Default)
[personal profile] arpad
.
About Vonnegut - well - nothing.

About his books - I don't like them. They are not about humanity or honesty. They are about cowardice. Intellectual cowardice of their author.

In my not at all humble opinion.

Date: 2007-04-12 03:52 pm (UTC)
From: [identity profile] brucenstein.livejournal.com
Eh, I respect your right to have an opinion, even though it's wrong. :)

How is cowardice not about humanity?!

Date: 2007-04-12 06:40 pm (UTC)
From: [identity profile] arpad.livejournal.com
How is cowardice not about humanity?!

Heh.

Date: 2007-04-12 05:35 pm (UTC)
From: [identity profile] justbeast.livejournal.com
Why cowardice?

Date: 2007-04-12 07:00 pm (UTC)
From: [identity profile] arpad.livejournal.com
Afraid of science. Afraid of power. Even afraid of despair - there are nothing close in KV to "A Canticle for Leibowitz" by Walter Miller or to Beckett... KV can't accept things and can't reject them. He is stuck with them.





Date: 2007-04-12 05:47 pm (UTC)
From: [identity profile] elikrav.livejournal.com
Надо же!
Новое слово выучил!

Трусость, говоришь?
Надо почитать. Для общего, таскызыть, образования.

Date: 2007-04-12 06:45 pm (UTC)
From: [identity profile] arpad.livejournal.com
Колыбель для кошки

Странно что ты не читал. Для "общего профессионального" - таки надо.

Или прикидываешься?

Date: 2007-04-12 06:35 pm (UTC)
From: [identity profile] iz-kustov-ved.livejournal.com
Is it nothing?

Date: 2007-04-12 06:39 pm (UTC)
From: [identity profile] arpad.livejournal.com
Nothing personal :)

If seriously - as close to nothing as I can do.

Date: 2007-04-12 07:01 pm (UTC)
From: [identity profile] adav41.livejournal.com
Это у Воннегута есть понятие "каррас" (кажется так), в смысле люди связаные, некоторым пересечением своих судеб и влиянием друг на друга?

Date: 2007-04-12 07:04 pm (UTC)
From: [identity profile] arpad.livejournal.com
Ага.

Date: 2007-04-14 07:20 pm (UTC)
From: [identity profile] elbom.livejournal.com
Vonnegut can be very profound -- when you're 14. But then you grow up and realize that poplar literature, if it wishes to remain popular, must avoid honesty, humanity, and bravery. Gilbert Sorrentino's Red the Fiend, for example, has more courage, horror, humor, sadness, maturity and humanity than the complete works of Kurt Vonnegut. Sorrentino died last year -- but who cares? He's hard to read, so why bother.

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